Potrzebie
Tuesday, March 20, 2007
 

Henry Ford (Bobbs Merrill)
 
Comments:
As a matter of fact, this is a much better drawing than the other one with the horses, if the object is to direct attention to the car. The art director may have been a pompous blow-hard, but the result justifies him.
 
Yes, technically slick... but also somewhat static. Wood apparently was trying to show that the horse-and-wagon way of life was about to fade away.
 
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is the editor of Against the Grain: Mad Artist Wallace Wood (2003), reviewed by Paul Gravett.

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